ladyofleithian (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
ladyofleithian) wrote2013-03-13 10:19 pm
ladyofleithian) wrote2013-03-13 10:19 pm
So, got back from watching TURN LEFT...
...or at least rewatching it. And oh my Goddity God God, it is brilliant. <3
I admit that I've always loved this episode, and rewatching it, I kind of remembered why. First off, the premise by itself; just the idea that one simple choice could change the course of history and how everything played out. And seeing what came of it was also absolutely amazing. Horrific to watch, but amazing. The episode managed some genuine gut-wrenching scenes, especially knowing the history behind them (although sadly, I am slightly in the dark in regards to the SARAH JANE ADVENTURES and its own encounter with the Judoon. Didn't make things any less gutwrenching, though). For example, the matter of the Starship Titanic hitting London, the ATMOS, etc. And the Judoon matter of the hospital and everything -- also, considering how Inspector Javert the Judoon are, fucking terrifying. And the Adipose -- it was like the Adipose warped from bizarrely cute to horrifying again.
Another thing that really horrified me was the matter of...well, basically, there's this Italian family that Donna, Sylvia and Wilf are staying with after the radiation from the Starship Titanic falling on London has flooded the area, and they're built up as these really likable characters. And this family...well, basically after the whole world has gone to shit, there's a new government installed in place that is...well, England for the English, as they say in the episode. Also, labor camps. Yes, those labor camps. I think there's something about Wilf's reaction to it, his salute to Mr. Rocco (also a World War II vet, like Wilf. Which makes things all the more horrible, because...well, he must be thinking the same thing that Wilf is: "It's happening again." Everything he fought against along with Wilf and others in World War II coming to life again) before he and his family are taken away -- and Mr. Rocco crying. The episode doesn't need to ram it down our throats what's exactly happening. Just the bits and pieces dropped here and there speak for themselves.
Oh yeah, and to make things worse? The Cyberman theme is playing during all this. Yeah... *Shivers*
And even putting all that aside, Donna running off down the street, shouting at the soldiers and demanding to know where the soldiers are taking the Roccos...yeah, heartwrenching.
I think that was another reason I loved the episode, how it sort of delves into what the government's willing to do when a crisis emerges. Because I can actually see something like that happening, and it makes it all the more horrifying. In fact, if nothing else, things such as that have already happened -- different variations, but always in the same vein of the old Latin saying: "Inter arma enim silent leges". Or, "In times of war, the law falls silent", basically. In times of war, the government finds itself doing things that would otherwise violate basic human rights. Or, in times of great uncertainty, zealots and dictators rise to power by preying on that aspect exactly. It's things like that that are perhaps the most frightening.
While we're on the subject of Nightmare Fuel, what Donna had to endure in this episode...just terrifying, the poor girl. For example, her utter confusion about what's on her back, as well as her freak out when the insect is revealed thanks to the recovered TARDIS technology. I can't imagine what it must be like for Donna, both in the real world (being basically mentally invaded by this...insect thing) and the parallel world that the member of the Trickster's Brigade created. In the real world, she's being mentally attacked and controlled (and judging by the teaser, it's almost as if she was sort of And I Must Scream, in a way. Having to watch as things went to shit. I could be wrong, but it's something that occurred to me) by that creature, that beetle, and in the parallel world, she's being haunted by that thing on her back, is completely confused about what's happening, and everything around her is falling to bits. Double the Nightmare Fuel, really.
I also liked the episode playing up Donna being kind of naive. It really gave her sacrifice all the more power. Because when the time comes? Donna Noble is the bravest woman alive. Because she's willing to sacrifice herself to save the world and restore the timeline -- and thus save other universes also. Even in the midst of all that darkness, there's something so wonderful and hopeful about the message; no matter who you are, you can do great things. Hell, Rose even says it herself: "Donna Noble, you are the most important woman in the whole of creation." Because Donna was. She did so much, accomplished so much, and I think the sad part was really when she never got to know.
*Sighs*
And this got depressing fast. Here's the FALCON and the "joys" of having only one bathroom (credit to DarthFar): http://darthfar.deviantart.com/art/Double-Double-Toilet-Trouble-86971179.
*Sighs*
And now back to our program.
I also loved seeing Rose again. I adore Martha and Donna so much, but let's say I was missing Rose a lot. I mean...I missed pretty much everything about her. And seeing her act opposite to Donna was just amazing to watch. I know scenes that really stood out were scenes such as inside the (broken down) TARDIS, when Rose was talking about the Doctor. And Donna says, "Were you and him...?" The look in Rose's eyes just says volumes. And when they're just talking on the park bench, and the ATMOS explosion just goes off in the sky (BTW, amazing visuals, I swear) -- also a Tearjerker all things considered. Gwen and Ianto giving their lives to stop the Sontarans. And Jack being stranded on the Sontaran homeworld. There's just something about that that's frightening -- granted, it all gets fixed later so it never happened (without feeling cheap), but it's still one of those moments of Fridge Horror: what the hell happened to Jack in the parallel world? I also liked parallel!Donna going from her early distrust of Rose to growing to trust her. And the fact that Rose was organizing this massive Roulette just to get the timelines back to normal (well, relative normal; there's still the matter of our old friend Davros to deal with)...that's one of many reasons that she's made of cool. And I liked her telling Donna about how much the Doctor changed her. She may have made him better, but he also made her better. She helped to heal him, and he coaxed the Rose that she didn't really show out into the light. He did the same with...well, pretty much all his companions, really, and they did the same to him. And it sort of calls back, in a way, to her speech to Jackie and Mickey in "Parting of the Ways" -- "You have the guts to do what's right while everyone else just runs away!" It really shows how Rose has grown since "Doomsday" -- how she grew since "Rose", really. She started growing in sheer steel and never looked back, basically.
Another thing that got me -- see, I admit that first time around, prior to the marathon and all, I sort of watched "Turn Left" prior to "The Runaway Bride" -- was the image of the draining-the-Thames scene from "The Runaway Bride" as it was supposed to happen, what with the Doctor standing in the water just *pouring* down, and Donna yells at him over the din, "Doctor! You can stop now!" Considering how the situation ended in the Doctor dying should Donna have not been there -- had she taken the path her mother wanted instead of what she wanted -- and the world going to shit...well, perhaps the episode was saying that even the smallest actions can change the course of the future. Even the seemingly most ordinary people can save the world. That and...well, in a way, it was an act of compassion that ultimately saved the Doctor from dying back there with the Racnoss. And the reason the Doctor was so willing to die was that...well, he had lost Rose. The person who had saved him when he himself was on the brink after the Time War -- a war where he had to kill his own people as well as the Daleks. A war that was started in the first place ever since the Time Lords decided to break their own rules if only to stop the Daleks so long ago. The Doctor's been driven to the brink of...being almost like his Ninth incarnation in a way. Who saves him in that moment? Donna. Just with a few words: "Doctor, you can stop now!"
The Doctor at one point called her his best friend. Which is...well, it's true. He showed her all the universe could be, all that she could be, and she saved him in turn. She looks after him, she takes care of him. And it's one of many reasons that I love their relationship. And Donna Noble.
(Sorry, sort of got something in my eye for a second)
Anyway...
I also liked the bits of humanity and warmth we got in there. Things like the sing-along scene (before it got cut short by gunfire) to "Bohemian Rhapsody". It starts off as kind of funny, what with Donna going to complain about the noise (which...I can relate whole-heartedly, Donna. *Has had that experience with similar stuff, like someone watching NCIS in a room they were sharing with me * -- let's say trying to sleep with the TV flashing = not fun. Or when people are talking when I'm trying to sleep. Yeah...not a terribly big fan of noise... *), only to turn pretty "awww" when it turns out Wilf is singing it as kind of...well, the old war-time spirit. Or more succinctly he started it. (Did I mention I love Wilfred Mott? :3) And when everyone starts singing along -- pity it got cut short by gunfire. Although even in the midst of the horror, Wilf telling off that one UNIT soldier who harrassed Donna...awesome and sweet at the same time. (Although I have to feel bad for that UNIT soldier also)
And earlier before that, Donna and Sylvia's talk. Just a really well-done, sad scene, and gave Sylvia a lot of depth. Also loved Donna trying to reassure her mother that even after everything's gone to shit, she'll get a new job and everything will be fine. Which really makes what happens later, what with Sylvia agreeing with Donna being a disappointment...cue me screaming at the screen, "You're supposed to say, 'No, you aren't!'" Ugh... *Hugs poor Donna*
I also loved the little things, like Wilf being nice to the woman serving them breakfast at the place they're staying, Wilf refusing to take his antlers off ("No, I shan't! It's Christmas!"), the interactions between Wilf and Donna (the telescope, for example, also a Chekov's Gun. But also the way they greet each other on Christmas morning, prior to the news broadcast), the "You're not going to make the world better by shouting at it" bit...things like that. I remember someone saying that character interaction can't save an episode, but personally? I think they can. If your characters feel real and human and vulnerable and involving...I can forgive a lot. If you're honest and passionate in your writing, I can also forgive a lot. And if you can inspire me somehow, in one way or another (Rose, Martha, Donna, etc.)...well, that makes all the difference. A solid plot means nothing if the characters are faulty, unlikeable for the wrong reasons, shallow, or anything like that. A plot gives us reason to read, but characters give us the reason to give a damn. Otherwise...well, you end up with a plot that can be as snappy and unique as you want, and yet...we don't care. Because we don't care about who's in jeopardy, who's getting hurt, etc. We don't care who wins, we don't know why the bad guy does what he does...you leave out the character card, and the house falls apart.
And characters...when I heard about Martha dying, I nearly broke down. Not just because she gave her life so another could live, but after being acquainted with the brilliant, courageous, selfless, utterly kind-hearted and loyal young woman first seen in "Smith and Jones"...well, it hurt. Same with Sarah Jane, and though I can't say I knew them well, Luke Smith and his team.
Not to mention other little touches, such as Wilf marveling at the fact that he could have been in London selling papers, and how they managed to avoid the disaster, and later, during her conversation with Donna, mentioning someone else they...had a passing acquaintance with from what I can remember? And Donna trying to be hopeful, suggesting that perhaps she went home for Christmas and avoided the destruction that the Starship Titanic left. And Wilf's comments about the aliens, as if there was a new pair of eyes watching from the heavens and they weren't friendly. I also loved the Doctor and Donna's reunion back in the real world -- trust me, let's say Donna's reaction very much mirrored my own. Also, Donna comparing the experience to trying to remember a dream. And the Doctor starting to muse about everything seeming to center around Donna: the worlds, the chance meetings, etc. And when Donna tries to say that she's nothing special, the Doctor reassures her that she's brilliant.
I also love, on another note, how it didn't just hit the Reset button -- well, okay, it kind of did, but there were consequences to all of this. Such as the matter of Rose telling Donna what to tell the Doctor when she gets back to the real world, and the Doctor realizing that Rose is back. Not to mention seeing the words "Bad Wolf" everywhere, hearing the cloister bell ringing...
Honestly, it was just a brilliant episode. Really dark, but brilliant.
* Call it a case of the best/worst school trip ever considering I was one of those unfortunate people on the trip who got sick. It got sort of joked about at my high school graduation. XD
So overall? Loved it. So recommended.
I admit that I've always loved this episode, and rewatching it, I kind of remembered why. First off, the premise by itself; just the idea that one simple choice could change the course of history and how everything played out. And seeing what came of it was also absolutely amazing. Horrific to watch, but amazing. The episode managed some genuine gut-wrenching scenes, especially knowing the history behind them (although sadly, I am slightly in the dark in regards to the SARAH JANE ADVENTURES and its own encounter with the Judoon. Didn't make things any less gutwrenching, though). For example, the matter of the Starship Titanic hitting London, the ATMOS, etc. And the Judoon matter of the hospital and everything -- also, considering how Inspector Javert the Judoon are, fucking terrifying. And the Adipose -- it was like the Adipose warped from bizarrely cute to horrifying again.
Another thing that really horrified me was the matter of...well, basically, there's this Italian family that Donna, Sylvia and Wilf are staying with after the radiation from the Starship Titanic falling on London has flooded the area, and they're built up as these really likable characters. And this family...well, basically after the whole world has gone to shit, there's a new government installed in place that is...well, England for the English, as they say in the episode. Also, labor camps. Yes, those labor camps. I think there's something about Wilf's reaction to it, his salute to Mr. Rocco (also a World War II vet, like Wilf. Which makes things all the more horrible, because...well, he must be thinking the same thing that Wilf is: "It's happening again." Everything he fought against along with Wilf and others in World War II coming to life again) before he and his family are taken away -- and Mr. Rocco crying. The episode doesn't need to ram it down our throats what's exactly happening. Just the bits and pieces dropped here and there speak for themselves.
Oh yeah, and to make things worse? The Cyberman theme is playing during all this. Yeah... *Shivers*
And even putting all that aside, Donna running off down the street, shouting at the soldiers and demanding to know where the soldiers are taking the Roccos...yeah, heartwrenching.
I think that was another reason I loved the episode, how it sort of delves into what the government's willing to do when a crisis emerges. Because I can actually see something like that happening, and it makes it all the more horrifying. In fact, if nothing else, things such as that have already happened -- different variations, but always in the same vein of the old Latin saying: "Inter arma enim silent leges". Or, "In times of war, the law falls silent", basically. In times of war, the government finds itself doing things that would otherwise violate basic human rights. Or, in times of great uncertainty, zealots and dictators rise to power by preying on that aspect exactly. It's things like that that are perhaps the most frightening.
While we're on the subject of Nightmare Fuel, what Donna had to endure in this episode...just terrifying, the poor girl. For example, her utter confusion about what's on her back, as well as her freak out when the insect is revealed thanks to the recovered TARDIS technology. I can't imagine what it must be like for Donna, both in the real world (being basically mentally invaded by this...insect thing) and the parallel world that the member of the Trickster's Brigade created. In the real world, she's being mentally attacked and controlled (and judging by the teaser, it's almost as if she was sort of And I Must Scream, in a way. Having to watch as things went to shit. I could be wrong, but it's something that occurred to me) by that creature, that beetle, and in the parallel world, she's being haunted by that thing on her back, is completely confused about what's happening, and everything around her is falling to bits. Double the Nightmare Fuel, really.
I also liked the episode playing up Donna being kind of naive. It really gave her sacrifice all the more power. Because when the time comes? Donna Noble is the bravest woman alive. Because she's willing to sacrifice herself to save the world and restore the timeline -- and thus save other universes also. Even in the midst of all that darkness, there's something so wonderful and hopeful about the message; no matter who you are, you can do great things. Hell, Rose even says it herself: "Donna Noble, you are the most important woman in the whole of creation." Because Donna was. She did so much, accomplished so much, and I think the sad part was really when she never got to know.
*Sighs*
And this got depressing fast. Here's the FALCON and the "joys" of having only one bathroom (credit to DarthFar): http://darthfar.deviantart.com/art/Double-Double-Toilet-Trouble-86971179.
*Sighs*
And now back to our program.
I also loved seeing Rose again. I adore Martha and Donna so much, but let's say I was missing Rose a lot. I mean...I missed pretty much everything about her. And seeing her act opposite to Donna was just amazing to watch. I know scenes that really stood out were scenes such as inside the (broken down) TARDIS, when Rose was talking about the Doctor. And Donna says, "Were you and him...?" The look in Rose's eyes just says volumes. And when they're just talking on the park bench, and the ATMOS explosion just goes off in the sky (BTW, amazing visuals, I swear) -- also a Tearjerker all things considered. Gwen and Ianto giving their lives to stop the Sontarans. And Jack being stranded on the Sontaran homeworld. There's just something about that that's frightening -- granted, it all gets fixed later so it never happened (without feeling cheap), but it's still one of those moments of Fridge Horror: what the hell happened to Jack in the parallel world? I also liked parallel!Donna going from her early distrust of Rose to growing to trust her. And the fact that Rose was organizing this massive Roulette just to get the timelines back to normal (well, relative normal; there's still the matter of our old friend Davros to deal with)...that's one of many reasons that she's made of cool. And I liked her telling Donna about how much the Doctor changed her. She may have made him better, but he also made her better. She helped to heal him, and he coaxed the Rose that she didn't really show out into the light. He did the same with...well, pretty much all his companions, really, and they did the same to him. And it sort of calls back, in a way, to her speech to Jackie and Mickey in "Parting of the Ways" -- "You have the guts to do what's right while everyone else just runs away!" It really shows how Rose has grown since "Doomsday" -- how she grew since "Rose", really. She started growing in sheer steel and never looked back, basically.
Another thing that got me -- see, I admit that first time around, prior to the marathon and all, I sort of watched "Turn Left" prior to "The Runaway Bride" -- was the image of the draining-the-Thames scene from "The Runaway Bride" as it was supposed to happen, what with the Doctor standing in the water just *pouring* down, and Donna yells at him over the din, "Doctor! You can stop now!" Considering how the situation ended in the Doctor dying should Donna have not been there -- had she taken the path her mother wanted instead of what she wanted -- and the world going to shit...well, perhaps the episode was saying that even the smallest actions can change the course of the future. Even the seemingly most ordinary people can save the world. That and...well, in a way, it was an act of compassion that ultimately saved the Doctor from dying back there with the Racnoss. And the reason the Doctor was so willing to die was that...well, he had lost Rose. The person who had saved him when he himself was on the brink after the Time War -- a war where he had to kill his own people as well as the Daleks. A war that was started in the first place ever since the Time Lords decided to break their own rules if only to stop the Daleks so long ago. The Doctor's been driven to the brink of...being almost like his Ninth incarnation in a way. Who saves him in that moment? Donna. Just with a few words: "Doctor, you can stop now!"
The Doctor at one point called her his best friend. Which is...well, it's true. He showed her all the universe could be, all that she could be, and she saved him in turn. She looks after him, she takes care of him. And it's one of many reasons that I love their relationship. And Donna Noble.
(Sorry, sort of got something in my eye for a second)
Anyway...
I also liked the bits of humanity and warmth we got in there. Things like the sing-along scene (before it got cut short by gunfire) to "Bohemian Rhapsody". It starts off as kind of funny, what with Donna going to complain about the noise (which...I can relate whole-heartedly, Donna. *Has had that experience with similar stuff, like someone watching NCIS in a room they were sharing with me * -- let's say trying to sleep with the TV flashing = not fun. Or when people are talking when I'm trying to sleep. Yeah...not a terribly big fan of noise... *), only to turn pretty "awww" when it turns out Wilf is singing it as kind of...well, the old war-time spirit. Or more succinctly he started it. (Did I mention I love Wilfred Mott? :3) And when everyone starts singing along -- pity it got cut short by gunfire. Although even in the midst of the horror, Wilf telling off that one UNIT soldier who harrassed Donna...awesome and sweet at the same time. (Although I have to feel bad for that UNIT soldier also)
And earlier before that, Donna and Sylvia's talk. Just a really well-done, sad scene, and gave Sylvia a lot of depth. Also loved Donna trying to reassure her mother that even after everything's gone to shit, she'll get a new job and everything will be fine. Which really makes what happens later, what with Sylvia agreeing with Donna being a disappointment...cue me screaming at the screen, "You're supposed to say, 'No, you aren't!'" Ugh... *Hugs poor Donna*
I also loved the little things, like Wilf being nice to the woman serving them breakfast at the place they're staying, Wilf refusing to take his antlers off ("No, I shan't! It's Christmas!"), the interactions between Wilf and Donna (the telescope, for example, also a Chekov's Gun. But also the way they greet each other on Christmas morning, prior to the news broadcast), the "You're not going to make the world better by shouting at it" bit...things like that. I remember someone saying that character interaction can't save an episode, but personally? I think they can. If your characters feel real and human and vulnerable and involving...I can forgive a lot. If you're honest and passionate in your writing, I can also forgive a lot. And if you can inspire me somehow, in one way or another (Rose, Martha, Donna, etc.)...well, that makes all the difference. A solid plot means nothing if the characters are faulty, unlikeable for the wrong reasons, shallow, or anything like that. A plot gives us reason to read, but characters give us the reason to give a damn. Otherwise...well, you end up with a plot that can be as snappy and unique as you want, and yet...we don't care. Because we don't care about who's in jeopardy, who's getting hurt, etc. We don't care who wins, we don't know why the bad guy does what he does...you leave out the character card, and the house falls apart.
And characters...when I heard about Martha dying, I nearly broke down. Not just because she gave her life so another could live, but after being acquainted with the brilliant, courageous, selfless, utterly kind-hearted and loyal young woman first seen in "Smith and Jones"...well, it hurt. Same with Sarah Jane, and though I can't say I knew them well, Luke Smith and his team.
Not to mention other little touches, such as Wilf marveling at the fact that he could have been in London selling papers, and how they managed to avoid the disaster, and later, during her conversation with Donna, mentioning someone else they...had a passing acquaintance with from what I can remember? And Donna trying to be hopeful, suggesting that perhaps she went home for Christmas and avoided the destruction that the Starship Titanic left. And Wilf's comments about the aliens, as if there was a new pair of eyes watching from the heavens and they weren't friendly. I also loved the Doctor and Donna's reunion back in the real world -- trust me, let's say Donna's reaction very much mirrored my own. Also, Donna comparing the experience to trying to remember a dream. And the Doctor starting to muse about everything seeming to center around Donna: the worlds, the chance meetings, etc. And when Donna tries to say that she's nothing special, the Doctor reassures her that she's brilliant.
I also love, on another note, how it didn't just hit the Reset button -- well, okay, it kind of did, but there were consequences to all of this. Such as the matter of Rose telling Donna what to tell the Doctor when she gets back to the real world, and the Doctor realizing that Rose is back. Not to mention seeing the words "Bad Wolf" everywhere, hearing the cloister bell ringing...
Honestly, it was just a brilliant episode. Really dark, but brilliant.
* Call it a case of the best/worst school trip ever considering I was one of those unfortunate people on the trip who got sick. It got sort of joked about at my high school graduation. XD
So overall? Loved it. So recommended.
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